Artist & Author

Artist & Author

As an artist and author, Desouza of Vegas has gained a reputation for his unique and captivating creative works popularized in the internationally famous adult playground called “Sin City” where he hosts Sin City Storytime.com. He became a year-round resident of Las Vegas in 2012 after he relocated from the Washington, DC area.

If you would like to contact the author, send email to: desouza3d@gmail.com.

--> If you are a blogger, podcaster, YouTube content creator or other media writer, this website has a high degree of background information about the author that can help you write an article or commentary. He is available for interviews.

Pen Name

The artist and storyteller in Las Vegas, Nevada is a citizen of the United States, born in California. His heritage is Portuguese from both his parents, the late Edward and Evelyn Goulart. He is known to most people by his nickname, Woody.

The word madeira is Portuguese for wood. The surname Desouza is a variation of the surname Souza from his old country grandfather on his mother’s side.

It was the year 1996 when he first started publishing online under the pen name of Madeira Desouza. Then in 2007 he branched out into creating original 3D digital images for online publication also using that same pen name.



Photos:


 

That’s Madeira Desouza in the photograph about to be killed by the Predator who appeared suddenly one day in Las Vegas, Nevada for no apparent reason.
 

That’s also Madeira Desouza in the photograph taken in 1891 or 1991 in historic Deadwood, South Dakota. You can see clearly that Madeira Desouza posed for this photograph holding a shotgun. Why did he choose a shotgun for this photograph? His mother’s father brought deep, enduring shame upon the family through a murder/suicide when Madeira Desouza was only a year old. That man he never knew used a shotgun to kill his wife (his mother’s mother) and then he turned the gun on himself. That violent family tragedy influenced Madeira Desouza’s emotional sensibilities as a storyteller in adulthood.

Read the Smashwords interview with Madeira Desouza.


Provocative Science Fiction Time Travel Adventures

Provoking readers is a very different process compared to provoking viewers with visual works. Madeira Desouza chose the science fiction time travel adventures genre deliberately so that his novel would turn out to be emotionally challenging and not at all “safe” in the intellectual or visceral sense. He did not attempt to create something that would make money for himself or for others. But, he did attempt to create something that would make readers/viewers think about issues that they otherwise might not think about while enjoying spending time with masculine and muscular male characters.

What Madeira Desouza created is a science fiction time travel adventure that is also true to the bara underground art genre. This is because Madeira Desouza depicts gay male same-sex feelings and sexual identity with masculine, muscular males that sometimes are violent and exploitative. Read more about the bara underground art genre.

What does his work in that genre say about him? Most writers will admit what he admit here: They do not like violence and exploitation in everyday living. They write about violence and exploitation. It’s fiction. It’s only pretend. It’s only art or make-believe. As such, Madeira Desouza does not advocate for violence and exploitation in real life.

His target audience is gay males, but straight females also are known to enjoy the bara genre and his works in particular.

Madeira Desouza suspects that what he has created probably will not be made into a traditional Hollywood movie because the story and characters do not fit into the framework of major motion pictures that tell science fiction stories. Yet, he definitely can imagine this would make show business sense as a series of episodes for streaming on Amazon or Netflix.

Based on a Real-Life Event

He admits: My writing Baja Clavius: Moon Men Deep Inside dates back to when Madeira Desouza began writing the story in 1990. That year he was driving westward by himself on his way to the Grand Canyon very early in the morning through the vast Navajo Nation, a Native American reservation spanning portions of the states of Arizona, New Mexico, and Utah. He saw a young man hitchhiking on the side of the road standing next to an old pickup truck. The young man wore tattered cowboy attire that suggested he had just survived a particularly rough journey. His cowboy hat caught the soft yellow light of sunrise in an eerie way that made him look otherworldly.

I set aside all suspicions and common sense regarding the risks of picking up a stranger in a very isolated area. I made the choice to stop driving and pick him up.

Dig deeper into this real-life experience from 1990 which was the basis for my writing Baja Clavius: Moon Men Deep Inside.

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Similar Books to Baja Clavius: Moon Men Deep Inside

Below are five similar books that share thematic or structural elements with the subject text:

1. The Anubis Gates by Tim Powers
Similarities: This novel weaves time travel with espionage and historical conspiracies, echoing our subject text’s mix of secret agencies and shifting timelines. Like the lunar agency in our story, its protagonists are thrust into missions set against a backdrop of mysterious powers and political maneuvering.

2. The Rook by Daniel O’Malley
Similarities: Blending a hidden government organization with supernatural elements, The Rook mirrors the theme of secret institutional control and the struggle to uncover unsettling truths. Both works use a secretive bureaucracy—though one is supernatural rather than technological—to drive a high-stakes narrative that tests the protagonists’ moral bounds.

3. The First Fifteen Lives of Harry August by Claire North
Similarities: This book centers on a protagonist repeatedly reliving his life with full memory of past iterations, similar to the way our subject text uses time-travel mechanics and memory manipulation. Both narratives explore the ethical and personal consequences of altering timelines and the burden of accumulated knowledge from multiple lives.

4. Replay by Ken Grimwood
Similarities: Replay deals with the concept of living the same life over and over, highlighting themes of memory, personal identity, and the impact of each choice on history. Its focus on the repercussions of repeated time travel adventures is closely aligned with the cyclical, mission-based time alterations featured in our subject text.

5.Version Control by Dexter Palmer
Similarities: In Version Control, time travel is interwoven with modern technology and the unraveling of memory and identity, much like the advanced tech and altered memories central to our narrative. Both stories probe how technological manipulation of time can upend personal lives and institutional structures, raising questions about control versus freedom.